A. L. Buehrer What I Write and Why

Friday, June 28, 2019

Writing for Christ: The Content Question



I’ve got to admit it. I really just write what I want to write. There’s a lot of discussion out there about exactly where Christian authors should draw the line in content. There’s a lot of disagreement. I’m not going to give you a do/don’t list for this. Instead, I wanted to focus on the attitudes and reasons we include some things and omit others.

I don’t think there’s a clear-cut universal answer to this question. So much depends on presentation and context and how well the author can pull it off. But most of all, your reasons for writing certain things into your story is what makes the difference. Here’s where I try not to call it on other authors I read, but sometimes, as a reader, it feels distinctly like the author is just trying to shock, or imitate some popular author’s style, or make their writing “more relevant.”

I think most authors, even non-Christian authors, agree that when it comes to content, you’ve got to draw the line somewhere. A lot of readers don’t appreciate graphic gore and gratuitous slashing throughout their reading material. Most humans have a certain threshold for witnessing violence, which is a good thing and should be respected. Pushing this threshold too much is just going to contribute to the amount of trauma and desensitization in the world, which I don’t think is something authors should be doing.

Apparently, a lot of authors, even YA authors, have a little trouble knowing when to stop on sexual content. This is something I don’t expect to see at all in Christian fiction—but it still happens. Why, people? There are certain things that basically never contribute anything to the story, and nobody should ever have to watch. So, can we not? (This is part of the reason I don’t read romance. The other reason is because I find them exceedingly boring and predictable.)
Swearing is one of the items on my personal Rather Long List of Things That Are Stupid and Unnecessary. It isn’t that I haven’t heard every possible variation of the F word in real life. I have. And I still think it’s obnoxious and rude. And I tend to expect a certain amount of swearing from secular media. But I have slightly higher standards for Christian writing. Use profanity in your Christian novel and you’ll earn an instant eye-roll from me. Why? Because you don’t need it and you know it. It is not hard to exclude, and contrary to what some might try to tell you, you will never hurt your art by leaving it out. Do it right, and nobody will ever miss it.

But I’ve ranted enough. Let’s get to the bullet-points.

·         Let’s face it, it’s your story, you alone control the content. Don’t let yourself make the excuse that you story, your characters, or your genre force you to write certain things. You literally have control over every letter that goes into your book. It’s a whole universe at your command. You can manipulate every detail to your liking. You never have to write anything that goes against your conscience. You’re a creative genius, you can find a skillful way to avoid it, and make your book even better by doing so.  
·         You have your own mission. Imitating some other author will never win readers’ favor. If you think you need to include certain things in order to write a masterpiece “in the tradition of” some big-name author, you’re missing the point. God made you unique, and your writing should reflect that. Be true to yourself in your art.
·         You are not restricted by the same constraints as a non-Christian author. Something that I think we de-emphasize too often is that Christians are actually freer than the average Joe. We get to write clean fiction. We are not under the pressure that mainstream authors are. No Christian should ever have to write profanity compulsively. You do what you want. Your audience is going to root for you. He’s not going to one-star your efforts to do what’s right. He’s cool like that.
·         Here’s a mental trick: Think about this. For every gross detail you choose to include in your fiction, there is some better author writing deeper, cooler, more popular books who didn’t include that. Clean content is an advantage. If you forgo it, you’re denying yourself that advantage. Do you really want to do that?
The fact is, your book will never please everybody. There will be people getting offended by the tiniest thing on one hand and people calling you cheesy for not including offensive content on the other. That’s how people are. So, don’t focus on pleasing people. That will be depressing. Focus on pleasing God. If you wouldn’t write it with Jesus looking over your shoulder, don’t write it.
Because, don’t look now, but he’s watching.

Wednesday, June 19, 2019

Writing for Christ: Writing a Variety of Christian Characters



I won’t judge people who accidentally make their Christian characters too homogenous too harshly. I see why it happens. But because of my upbringing and experience, I wouldn’t excuse myself so quickly. I spent the first 20 years of my life attending a Presbyterian church—but before you assume anything, know that the pastor is markedly conservative and has heavy Lutheran influence. But you should also know that my grandpa was a Pentecostal preacher at a “non-denominational” church down the road. He was descended from a line of tent-revivalists but also differed from some Pentecostals on some points.

What’s more, my family is musical, so we’ve crashed church services all around the area to give musical programs and lead worship. My sister has worked for Methodist and Baptist churches as a pianist. I’ve been to Catholic masses at monasteries and to quiet Lutheran Christmas services and Loud Mega-Churches with lightshows. I’ve even been to a Seventh Day Adventist church where the potlucks are especially special. There was also a church where people uh…fell over randomly. Yeah.

For a while my family regularly attended a tiny Methodist church in the middle of nowhere with a woman pastor. Now we attend a Missionary church, but I don’t really consider myself any particular denomination. I have my intricacies, of course, but I prefer “Christian.”

Even within a single unified congregation, people vary spiritually. They vary doctrinally. They have different priorities in their relationship with God. Don’t forget this when you create Christian characters for your stories.

Here are some helps to add variety:

·         Think about your friends. Oops. Authors don’t have friends. I mean, think about your casual acquaintances and the people you hide from when you see them in the grocery store. You can’t go wrong basing the attitudes and beliefs of your characters on those of real people. Does everyone you know agree with every detail of your own faith? Do they have the same standards? I bet they don’t. The people I hide from in the grocery store certainly don’t.



·         Visit other churches. I don’t know how normal it is to have been to so many different churches. I’ve had some unique opportunities. But I advise you to visit some other churches near you and get a feel for the kind of variety that exists even within denominations. Did you know some Catholics raise their hands and sing contemporary praise songs? It’s true. You’ll find there are churches with huge youth programs and others just miles away that apparently have no members under 50. Different churches attract different types. Size also has a major effect on the character of an individual church and the people you find there. (Or is it the other way around?) Ironically, as an introvert, I prefer larger churches. I’m not sure if this is universal or not.



·         Research denominations. If you’re going to place a character within a specific denomination, definitely research that denomination. You should research denominations anyway, just so you know. Denomination is going to affect your character’s views on how churches should be organized, evangelism style, predestination and freewill, end times, how they pray, and sometimes even how they dress or wear their hair.





·         Consider regional differences. Honestly, I don’t even know as much about this as I probably should. I know churches in the southern US are different than they tend to be in the north. Differences are sure to be even bigger when you start crossing national borders. Some Catholics in Mexico are…really different. Your characters are going to be influenced by their culture and location as well as the specifics of their denomination and their individual church.

  

·         Consider outside factors of culture and upbringing. Christian characters are going to be partly formed by their family life and education. Was your character raised Christian? Did their parents help or hinder their spiritual growth? Did they go to a Christian school? Public school? Were they homeschooled? Were their experiences positive or negative? How well do they know the Bible? Christian history? How informed are they on current events? Was their faith always affirmed or respected, or were they bullied or persecuted for it? All these things can affect your character’s worldview.



·         Don’t forget time-period. If you’re writing historical fiction, make sure you study out your time-period. Check your bible-translations to avoid anachronisms. Find out how Christians responded to the culture and current-events of the time, and decide where your specific characters stand on different issues. And when your 1834 character begins to pray, don’t, under any circumstances, allow them to start out like, “Lord, we just….” Try something along the lines of “Gracious and eternal God….” There’s no “just.”



Quick rabbit-trail: The profuse overuse of the word “just” while praying out loud is a very contemporary idiosyncrasy. It’s a vocalized pause akin to saying “like.” In fact, you can swap “just” out with “like” and you’ll find it serves the exact same function. That is, adding nothing.

Also, if you’re writing futuristic fiction, realize that while some odd individuals may still insist on using ye olde King James Version, you’re probably going to have most of your characters reading translations that don’t exist yet. Have fun.



·         Avoid focusing on divisive issues. You might be very passionate about infant baptism or Calvinism or head-coverings. You might be able to write a whole persuasive essay on your views on these things, but think twice before you give them the spotlight in your novel. Not only are you guaranteed to alienate a large percentage of your readers, but you’re also cheapening your story and turning it into an excuse to make a point about an issue. These things might be linked to deeper issues, but in themselves, they are pretty shallow. Give yourself some strong themes and explore them instead. Your readers will like you better, and you’ll probably like yourself better in the end, too.



·         Use differences to highlight Jesus and who we know he is. Rather than staging battles between different minor Christian beliefs, Christian fiction gives you the opportunity to show God’s goodness through the eyes of different characters in different situations who probably don’t agree on every point. Admittedly, some beliefs are wrong. Nobody is going to have it all figured out. But you as a Christian author have the opportunity to reconcile your characters’ differences and point to the deeper truth that we share.



Not all of your characters should be carbon copies of you as far as their outlook and world view. Variation will make them more believable and more interesting. You’ll find it isn’t actually that hard to incorporate more variety if you simply take the time to stop and give it some thought. (And you’re probably already addicted to obsessing over character details anyway, so might as well.)

Have you ever noticed the “just” thing?

Coming up next, my two cents on the content controversy. What should we write in? What should we leave out?

Friday, June 7, 2019

Writing for Christ: Writing Non-Christian Characters


My series on writing Christian fiction continues today with a very important and too often neglected subject. We’re here to discuss the non-Christian characters that appear in the stories we write. If you write enough books and stories, some time or anther you’re going to want to include a character who is a non-believer. You should, actually. It will grow you as a writer and as a Christian.
Something extremely important to remember is that you absolutely must respect you character. This can be hard with a character that disagrees with the most important thing in your life, I know. But I can tell when an author, screenplay-writer, or even an actor doesn’t respect their character. The result is painful. The character becomes a flat, burlesqued caricature devoid of life and dignity that only exists so to be a scapegoat for all the artist’s bile against certain viewpoints, characteristics, and ideas. They are never fully realized as a character.
No matter how much you disagree with a character’s religious views, you have to find some way to respect them in spite of it. Think about real people in your life. You probably know some real people who are strongly non-Christian. Maybe some of those people are actually pretty awful and you can’t find it in you to respect them. (Actually, you’re called to take it a step further and love them, but that’s another discussion.)
We’ll set those really nasty people aside for a second and consider the nice atheist next door that cuts tulips from her garden for you every April or May. What about your hilarious uncle who quit going to church before you were born? The genius doctor who’s looking for answers in all the wrong places? You do respect these people, don’t you?
Yeah, you do. You probably even love them. That’s because they’re real to you. They’re not just a set of beliefs you disagree with. They’re unique humans that God created. To create truly powerful fiction, all your characters need to be this real. It’s only fair.
So here are my tips for respecting your non-Christian characters.
Things to avoid:
  • Not giving them a conscience. God instilled a sense of right and wrong even in those who don’t know where it came from. Atheism does not automatically make you a psychopath. If you let your non-Christian character kill anybody they don’t like just because they don’t believe in God, you’re creating a strawman and sapping the credibility from your whole story. There are ways that Christianity clarifies morality where common-sense—or what society thinks is common-sense—can’t so well. I found this out in a secular ethics class during college. But nobody is going to go around killing people simply because they aren’t Christian enough to feel bad about it. Don’t be ridiculous.

  • Letting them be too easily challenged. Other points of view also have very strong faith in what they think is true. And there is a ton of authority behind the atheist POV. I’ve read a lot of atheist writers and they are very convinced of what they believe. Please, please don’t let some scrub-faced Bob-Joneser freshman stand up in Philosophy 101 and launch into a debate with his nine-PhD-toting atheist professor and stun him to silence with challenging questions. That’s not going to happen. You’re not going to argue the average atheist on the street into questioning their faith in one encounter. Don’t let anything crazier happen in your fiction.  

  • Having another character preach at them. Similarly, this is going to be ineffective and painful to read. You might have a truly watertight argument for a point you would love to make to an atheist, but I would highly recommend that you don’t use it. Okay, do what you want at Thanksgiving, but don’t use your fiction as wish-fulfilment. It’s going to seem fake, and your atheist character probably isn’t going to listen. (Neither is your hilarious uncle, but that’s none of my business.)

Things to remember:
  • You’re not required to convert every non-believing character. I know this is hard. Particularly if you actually ended up really liking said character. (In which case, congratulations. You’re doing great.) But if you can’t fit it into your plot, don’t force it. You could add something to suggest there is hope for this character in the future, if you want to send that message, but you don’t have to cram a whole conversion process into a story that isn’t built for it. 

  • Find a way to identify with them. If you can find a way to identify with a character, you’re well on your way to creating a character you can respect. Anytime you have a character that is different from you in some drastic way, try to find one thing about them that you understand. You can use it as a key to open up all the inner workings of their character, and it’s sure to add a note of realism.

  • They might wish there was no religion to separate them from their Christian friends. Many atheists see religion as something that divides humanity and turns it against itself. Sometimes they’re not going to feel like arguing. Chances are, they have some Christian friends that they really like and wish there wasn’t tension between them.  

  • They’re going to need a substitute for God. Bob Dylan was right about having to serve somebody. Or something. People have to have something to live for, or at least be in search of something to live for. Without God, people will build idols. Money, success, security, entertainment, the “good life.” It can even be something positive like family, or justice, or love. It’s not the thing itself that is the problem so much as the positioning of it. Sooner or later, all idols disappoint.

I hope this gets you brainstorming on how to craft believable non-Christian characters that will strengthen your story. Maybe all this was obvious to you, but maybe not. Just remember, all your characters need to be depicted as real people. All your characters need to be given a fair chance and to operate by a logic that is internally consistent. All your characters will benefit from you viewing them compassionately and respectfully. It might not be easy with some, but it will pay off.

Your thoughts? Have you written any non-Christian characters? Have you ever stood up in Philosophy 101 and stunned your professor to silence with challenging questions?

Stay tuned for the next post in which we’ll talk about how to add variety to the types of Christian characters in your book. After all, not all Christians are the same.

Wednesday, June 5, 2019

Writing for Christ: Including the Gospel



We now continue with our series on writing Christian fiction. Welcome back. I hope you got something out of the first post. This post is about how and when to insert the whole Gospel into a story. As we’ll see, there’s a right and a wrong way to do it, and there are times when it isn’t even the best thing for your book.

I think there’s some debate about the role of Christian authors. Actually, there’s some debate about the role of Christians, period. There’s a camp that seems to assume that the singular goal of everything a Christian does is to win souls. Evangelism is the ultimate calling for everyone. I don’t want to stomp on anyone’s toes but I would like to suggest that this might not actually be the case.

Hear me out. Evangelism is extremely important and I do believe everyone should live a life that points to God and be ready to evangelize should the opportunity arise, but that isn’t our only calling as Christians and certainly not as Christian authors. I think our calling can be identified more accurately than that, with more general and less constricting terms.

I think we’re called to glorify God through our art.

This can manifest itself in different ways. Sometimes we are simply called to create beauty and wonder in a world that abhors beauty. Sometimes we’re called to encourage and empower fellow believers. Sometimes we’re called to challenge and expose lies that have crept in amongst us. And, yes, sometimes we’re called to evangelize.

But how be we do this without turning a story and a work of nuanced art into a cheap throwaway tract, boring to Christians and meaningless to non-Christians? It’s all about putting the story first.

·         Have a character demonstrate the love of God. God is love. Honestly, one of the best ways to have Christ show up in your story is to let him shine through a character’s actions. Rather than forcing a character to tell another character that God loves them, have that character, driven by the love of God inside them, actively demonstrate that love to them. (Preferably in a way that moves the story.) Remember, action speaks a lot louder than dialogue, particularly in fiction.



·         Have a character do something that makes no sense without the hope of the Gospel. People who have the Gospel written on their souls are going to behave differently. They are willing to sacrifice in order to let God’s truth show through them. You can use a character’s decisions as an illustration of the Gospel message. But resist the urge to spend much time preaching about it after the fact. Your readers aren’t stupid. They can piece it together themselves. Trust them to see if they have eyes to see.



·         Have a character tell their own story as a testimony. Okay, Bad Kid is doing Bad Things and is headed down a Bad Road. Enter Wise Older Fellow Who’s Been There stage right. Wise Older Fellow Who’s Been There grabs Bad Kid’s collar. “Now, Sonny, let me tell you a little story about me when I was your age.” Okay, STOP. Not that way. It’s cliché and painful to read. You’re preaching directly at the reader at this point, whether you mean to or not. Instead, incorporate the other character’s past, not as a sermonette, but a bit at a time, illustrating your theme and developing this Wise Older Fellow at the same time. Let the testimony come as a biproduct.





·         Use the suffering of one character to bring light to the other. Don’t be afraid to let a character represent Christ in a way that’s this explicit. They don’t have to be Aslan or any literal Christ figure to do it. Sacrifice for love and truth is a very compelling plot device and can tell the Gospel story in a much more memorable and high-impact way than some character sitting down with another character over coffee and spelling the whole thing out in words.



·         Use the plan of salvation, but have the character only come to accept it gradually. If you really feel led to do the whole Romans Road thing word-for-word in the middle of your story somewhere, okay. But realize that you have effectively stopped the action and are interrupting the flow of your story with what could amount to a commercial break trying to sell the reader Christianity. But maybe you have a character who would probably do it that way, and they are in a situation where they likely would. Alright then, but beware the flash conversion. Most people need a lot more than just hearing it said to turn their whole life around and start believing it.



Another ugly truth you might want to keep in mind while writing evangelistic fiction is this: honestly, non-Christian readers aren’t likely to give Christian fiction the time of day. There’s a good chance that if you write Christian fiction, the vast majority of your audience is already Christian.

This does not mean that your art can’t potentially change your reader’s life. If you dedicate your work to him, God will use it. And even if your novel isn’t what ultimately turns a non-believer into a believer, it still is a powerful thing. The world is full of Christians who feel alone, unseen, and discouraged. Writing Christian fiction is a great way to reach out to them and lift their spirits. Novel-writing might not be the best tool for evangelism, but it can be exactly the right one for many other things equally valuable to God’s work in the world.

So, I would ultimately advise you not to try to make your novel a 113,000-word evangelism tract. Don’t feel pressured to spell everything out word-for-word. Let the Bible do that. Instead, find ways to artistically deliver the Truth and tell a great story.

Think of some novels that really spoke to you, as a Christian. Why did you appreciate them so much? Did they present the whole Gospel? How?

Coming up next, we’ll talk about writing non-Christian characters. I think it’s easy to put too little thought into these characters, and damage our stories by botching them. So, keep your eyes open for the next post.   

Friday, May 31, 2019

Writing for Christ: Avoiding the Instant Conversion


Welcome to the first post of this series on writing Christian fiction. Brew a cup of tea, open the window to hear the birds outside, and we can get started on today’s subject: how to avoid forcing a character to go from nonbeliever to believer in some abrupt unnatural way. If you’re like me, you want to make a conversion into a strong satisfying character arc, not a quick fix that no one will believe.

Compared to real life, novels are highly concentrated. Characters are expected to change somehow over the course of the story. We love character arcs. In Christian fiction, character change is often even more emphasized. Back in the day, Christian novels almost always had a conversion scene. It was about as expected as the kiss on the last page of a romance novel. (Do you ever just start flipping to the last pages of a bunch of romance novels in succession? So gross.)

Coming to Christ is a lot like falling in love. We all hate the insta-love trope. We hate it because it feels rushed and fake. Because it basically never happens that way in real life. Falling in love is a massively life-changing process, coming to Christ, even more so.
What are some ways to make the transition realistic and satisfying in fiction?

·         Character was raised Christian, but drifted. In this case, the character actually already has some foundation on which to build their relationship. Admittedly, something was a bit off about the relationship in the past. The character probably let a lie come between them and Christ. They need to overcome that lie over the course of the story to come back to him. And look! You’re already getting set up with a character arc.

·         Character is a seeker who’s been on the edge of Christianity for a long time. Once again, in this case, your character is at a starting point. They’ve already started learning the truth, whether or not the accept it yet. They might not realize it, but a character in this position is already in the process of reevaluating their world-view and is ready for a paradigm-shift.


·         Character becomes desperate for divine intervention. This makes for a much more dramatic story than the first two and should be handled carefully to keep it from being too melodramatic. Under these circumstances, your character is in dire straits and they’re hoping for a miracle. This miracle can come in many forms, according to the theme of your story and the specifics of the situation, but in any case, God shows up in an intense and earth-shattering way. Beware that there’s probably going to be a lot of moral and emotional mopping-up to do in this wake of this, and don’t end the book too fast with “happily ever after.”

·         Character has some ulterior motive, but later realizes it’s real. I don’t know why I keep having to equate this topic with romance, but this is basically the fake boyfriend trope. For whatever reason, your character is going along with a religious façade, trying to look like a good person, please somebody, whatever. Maybe they’re an organ virtuoso down on their luck. But they find themselves drawn to Christ in ways they don’t want to acknowledge at first. Eventually they find themselves in a situation where they have to ask themselves if it’s real.

·         Series! Obviously, if there’s the danger of rushing a character arc, considering stretching it out over a series is always an option. This opens up plenty of opportunity to get into the details of a complete change of world-view. Now you have time to explore the struggles of being a new Christian. That’s an important topic that the world needs to see, so if you feel called this way, go for it. Writing a series can be great fun. You’ll learn so much about your characters that you never would have known otherwise.
You may or may not want to include a conversion in you book. Think about the story you want to tell, and the theme you want to highlight. We live in a different age of Christian art—one with more freedom to think outside the box and tackle new issues. If your story feels too rushed or unrealistic, try experimenting with the above variations. If your story feels stale and predictable, maybe God wants you to tell a different one. There are many deep and thematically rich events in the Christian life besides conversion. Don’t feel pressured to build your story around that if your creative energy doesn’t naturally take you there.
Coming up next, in a similar vein, we’ll be talking about how and whether to lay out the whole plan of salvation in your novel. Stay tuned.

Friday, May 24, 2019

Introducing Writing for Christ


Okay, guys. I’ve got a blog series in store for you. I’ve outlined eight posts on topics I think every Christian fiction writer will find useful. All the topics respond to issues I commonly find in Christian fiction—and hear other readers complaining about. I’d be delighted if you would join me for the next however many weeks this ends up taking us, to get a fresh look at our call as Christian fiction writers.

I’ve designed each post to minimize musing and fluff and maximize new material and practical advice to think outside the box and actually improve your fiction over the course of the series. There will be bullet-points, I promise.

The topics we’ll cover range from the usual things like the challenges of keeping content clean and making your book a story, not a sermon, to things we discuss less often like how to fairly and accurately represent non-Christian characters and remembering the pastors and clerical figures can be complete acting characters too. We’ll talk about showing conversion and character-change realistically and if and how the full Gospel should be spelled out in the book. I’ve done a lot of exploring on these topics and am eager to share my findings with you.

So, you might want to subscribe if you haven’t yet. And also, I would love to get some feedback and discussion going during this series. I’m sure these are topics you’ve considered and have plenty of insight of your own to share. Your questions and comments would add a great deal of value to the whole experience for everybody. Feel free to talk back.

Who’s in?

Wednesday, April 3, 2019

Lightwaste Excerpt


So, I promised you an excerpt. Here it is. it comes from Dronefall Two, Lightwaste, chapter Four: A Maze of Questions. She has been back at her old school campus, the place where she was raised, seeking answers to the mystery of her inaccessible legal identity files. Her success has not been great, and she is now bound back for District Three Point Five. She's being careful that no one traces her back to her new neighborhood and has just jumped off a train and landed in an embankment that turns out to be alongside an old churchyard.

The song she sings to herself is part of the same song Reveille is singing in the end of Dronefall. Without really meaning to, I've introduced a new verse of this song with each new Dronefall book. We'll see if it actually turns out to be five verses long.

Anyway, here's your excerpt:

A black wrought-iron fence materialized from the crisscrossing shadows of the branches and she paused to stare beyond it. At this point, she realized she was in a graveyard. She could see the ancient monuments outlined in the orange light like the skyline of a sleeping city. There was no good way to climb or vault the fence, so she made her way around it, eyes always inward toward the silent garden.



“Oh, would you stay awake and watch with me, ‘til we hear the trumpet sound?
You’ve always been my faithful friends, is there faith left to be found?
You know those weary wanderers you’ve been putting underground?
They’ll all be up and watching, when they hear the trumpet sound.
They’ll be back up and walking….”



  She stopped and her eyes anchored on the silhouette of a cross: a crucifix, two meters high. The church looming in the background had been ravaged and purged. “Faith is for everyone,” said the sign on the door. That meant all the ancient Christian art and distinctive features had been torn down or sealed in glass cases with a lot of commentary alongside so as not to hurt anyone’s feelings. But not here in the cemetery.


  “It meant something to those people,” she remembered her tour guide saying in the Second Stage History of Western Religion fieldtrip. So did the church, she imagined. Times had changed, the guide said. Humanity was beginning to mature. And the old spiel would begin: at first man believed everything was a god, because they couldn’t make sense of the world any other way. Slowly, it evolved to more specific deities, then to one god—and this strict dogmatic view had a strong hold on people fearful of death and damnation, and had many negative effects on history and human relations. Now, at last, we were beginning to see the truth, and one day, we will live in harmony.


  And we will leave the body of Christ in the graveyard where we wanted it in the first place.

Wednesday, March 27, 2019

Lightwaste. Is. LIVE!


Dronefall Two, Lightwaste is finally available to the reading public!!!

I don’t usually use that many exclamation points, by the way, but I’m thrilled to be launching this bold dangerous little book into the world. It’s been overdue for a long time. Not only in the sense that I expected to publish it last summer, but in the sense that the YA climate is changing in a very different direction and it’s time to speak on behalf of a popularly rejected point of view—Christianity and its unapologizing truth.

But Lightwaste certainly isn’t all fire and brimstone. What you’re actually about to see is Halcyon coming to the realization that many of us have, that there will come a point where you can no longer hide and go along to get along. The opposition simply will not let her.

There’s a lot that could be said but I don’t want to give anything away or overexplain my own story to you. You probably want to read it yourself. You definitely should. I happen to know that book three is also coming soon, and it’s even better, so you probably want to get reading.

New to the Dronefall Fandom?

Hey, great news for you. Book one, Dronefall, is available for a mere 99c on Kindle. I’ll eventually take it up to full price, but now isn’t the time, I think. So, take advantage of it, and jump in. Get it here. Welcome aboard.

Also! (I always feel very German using that word.) Lightwaste is at promotional price. You can get the second ebook for 99c as well. Both Dronefall and Lightwaste are, of course, available in paperback for those who vastly prefer physical books, (like me.)

Stay tuned for the next post. (You might even want to subscribe.) I’ll be releasing an excerpt of Lightwaste for your enjoyment.

Tuesday, March 19, 2019

I Have No Idea What I’m Doing: a mini memoir




If you want to be a doctor, you go to medical school and they tell you what to do for about seven years. You get your degree and you train, and you don’t really have to go figuring out how to remove tonsils just by going in there and snipping random stuff.

If you want to be a teacher, you get your degree, you student-teach, you learn from people who are doing it right in front of you. They don’t just drop you into a dusty arena full of middle-schoolers and leave you. (Though it probably feels like that, at first.)

But when you say. “I wanna be a paperback writer! Paperback writeeeerr!” People are like, “Good luck with that.”

Thanks for all the luck, guys. It’s been very useful.

If you’ve read Dronefall, then you know that in the back it says book two, Lightwaste is coming in summer of 2018. That’s not a spoiler. It’s technically more like a lie. Obviously, here we are in the third week of March, 2019, and do we have Lightwaste? No. Why?

I Have No Idea™

From now on, I’m going to note in my captain’s log every time I hit an obstacle in my journey from finishing a book to publishing it. It would make quite a chronicle for Lightwaste. Since summer of ’18, I’ve been telling myself, “yeah, probably next week,” almost every week. I don’t think I could even classify the feeling as suspense anymore. Hitchcock would have thrown the book of my life across the room by now. This has gone on about seven months too long.

I’ve read a pile of books on writing and I tend to browse multiple blogposts on the craft through the week. I’ve finished eleven novel manuscripts and made four available to the reading public. But I’m still groping in the dark when it comes to the nitty-gritty digital world of publishing. I really don’t know what I’m doing.

But I’ve made up my mind to let it bother me as little as possible. I don’t want to get too wrapped up in the chaos of the last seven months and the very possibly extensive chain of roadblocks still ahead. Sometimes I’m smart enough to see work as a game. Part of the game is hacking through Mirkwood with frankly nothing to guide you and assure you that you’re even on the right track. I pick up new skills all the time—things I never would have set out to learn, because I never saw them coming. In doing this I repeatedly surprise myself by doing things I thought were beyond me with my total lack of training.

So, even though I don’t deny that having no idea what I’m doing is potentially extremely frustrating (particularly when it gets in the way of my production of art) I think I’m actually doing pretty well, considering. In fact, right before I published this post, I ordered my second page proof of Lightwaste. Maybe I really will publish the book by the end of the month. Who knows?

Wednesday, March 6, 2019

15 Ways to Add Color and Depth to Character Relationships



Gotta love a big list post, right? I’ve had this list stashed away in my writing journal notebook for a while, just as a reminder to myself and a brainstorming prompt. Characters and their interactions are essential to driving a story and keeping it dynamic and interesting. Too often I notice authors slacking off on the complexities of interpersonal relationships in their stories. Some characters are nice to each other, some are mean, some are in love, some mentor each other or behave “like brothers” or “like sisters.”

But within these general outlines in real life, there’s a lot more going on than just that. There are numerous ways for brothers and sisters to relate to each other, and numerous ways to be in love. Sometimes characters can actually seem to lose their personalities and become stock-photo siblings or cute cake-topper couples. Unfortunately, this seriously detracts from my emotional investment in their relationships as the reader.

So, as a writer, I need to stretch my imagination a bit and search for ways to develop character relationships outside the obvious. This post is mostly focusing on positive, or overall-positive relationships. There’s a lot more to these relationships in real life than thoughtful words, friendly smiles and comforting hugs all around. Here are a few suggestions I noted to myself.

·         Let them fight

No matter how much two characters love each other, there’s no way their interaction is going to be a frolic through a meadow of dancing buttercups all the time. Even the nicest characters have flaws. (And remember, conflict is a good thing when you’re writing fiction.)


·         Give them a secret they can share

Another thing that’s always good is secrets. And when two characters get to guard a secret together, they naturally grow closer. It can be anything from a matter of life and death to simply trying to hide a stain on the carpet from important company.


·         Let them worry about each other

I probably see this enough with romantic couples or parents with children, but people worry about people they care about weather it’s technically their responsibility to or not. And in a gripping story, there’s always plenty to be concerned about. Explore your characters’ personalities in the way they express or don’t express their concern.


·         Have them plot something together

Similar to the idea of them keeping a secret together, showing your characters working on an elaborate plot or plan together will highlight their individual problem-solving approaches and unique kinds of ingenuity. 


·         Make them laugh at each other

I’m not really talking about intentional jokes, here. Characters who are close friends will be very sensitized to each other’s…peculiarities. And once they’ve reached a point when they know their relationship can take it, they will probably start both teasing and simply smirking to themselves over the other’s quirks.


·         Let them discover each other’s weaknesses

Weaknesses are essential for creating a fully-developed character, and once characters have stumbled upon each other’s broken places, there’s potential for a lot of interesting dynamics between them as well as, of course, plot developments.
  

·         Make them misunderstand each other

Your characters may have similarities and might see eye-to-eye most of the time, but they are distinct individuals with different experiences. Confusion is bound to interfere with their communication sometimes, and it can add to your story while highlighting differences in your characters’ views of reality.  


·         Give them in-jokes

My siblings and I have so many in-jokes. It doesn’t take very long to start creating them within groups, so this should also be true of fictional characters. In-jokes can be used as running gags throughout books or throughout a series to add that all-important humor element and reference characters’ past experiences together.


·         Have them protect each other

And I don’t mean create an Official Protective Boyfriend character and leave it at that. A protective boyfriend is pretty predictable unless you can create a unique and memorable way for him to express his protectiveness. Sometimes a best friend’s protective impulses can be just as strong as any hunky love-interest’s, and outside of a romantic situation, they can pack a lot more of a punch. 


·         Let them reverse roles sometimes

Sometimes the funny one gets in a bad mood and the more serious one has to try to lighten the moment. Don’t give one character all the good lines and don’t let one get all the injuries while the other is constantly the designated healer. Turning the tables now and then will allow you to explore more sides to your character interactions and create depth.


·         Give them a chance to break rules for each other

This is especially good for deepening relationships involving rule-abiding characters. Sometimes a character should find themselves in a situation where they’ll either have to go against the flow or sacrifice their devotion to their friend. Actually, they could choose either way, and it would add dimension to their relationship and make for some interesting plot material.


·         Make their wills or personalities clash now and then

Strong-willed characters are always satisfying to read about. Stubbornness is a major factor within relationships and it can be a great way to create friction and conflict between two lovable characters. The same is true for characters who simply clash because of pronounced difference in personality. Sometimes neither is in the wrong. They just approach the world differently and get in each other’s way. 


·         Let them pick up on each other’s hints

People who are close enough and interact frequently enough can reach a point where they almost seem telepathic because of their ability to read each other. Certain facial tics, postures, or ways of phrasing statements can carry a lot of meaning, and some characters could become great at recognizing them. Some characters might read the signs and analyze them consciously, others might get a hunch and not be sure where it was coming from. Another opportunity for characterization.


·         Have them miss each other when they’re separated

This constitutes a whole plot for some romances, but it shouldn’t be neglected in platonic relationships. Separation can highlight the ways characters impact each other’s daily lives. What does character A miss when character B is gone? Think outside the box. Of course, they miss their smile and their jokes, but think of the other, more specific things they might take for granted.


·         Let them sacrifice for each other

Sacrifice is a great way to demonstrate love between characters through meaningful, plot-driving action rather than words or warm fuzziness. If one character has the opportunity to give up something of their own goals or desires to further those of another character, it always rings true for readers who are hoping to see both true friendship and true heroism in protagonists. 
That was 15, right? Anyway, I don't have a lot more to add. As a final tip I would just say, in every relationship between two or more characters, always strive to highlight the uniqueness of the individuals. Honestly, you can avoid a whole lot of pitfalls focusing on that.